But they left my spirit here, in the boards. When Frank speaks again his voice is heavy with suppressed feeling.įRANK : I gave my body to them. But the images in the box continue to play one horror after another. And flowing between these atrocities, the Cenobites' faces, and that of Frank, screaming and screaming -įRANK : But their pleasure was my pain. Wounds and scalpels flesh torn open, revealing pulsing organs. The images in the lacquer are becoming clearer, and they are appalling. They gave me experiences I would never forget. What are we seeing? Some elaborate coupling, maybe? Or terrible torture? Impossible to be sure.įRANK : Oh no. Julia looks nevertheless, trying to work out what she's seeing.įRANK : - the highest reaches of sensuality. We can see the faces of the Cenobites moving in the lacquer but they are tantalizingly blurred and distorted. I wanted access to experiences only they could offer. Pale, barely recognizable forms move in the shiny lacquer of its surfaces.įRANK : I wanted pleasure, you see.
It cost me a small fortune -įRANK : The man I bought it from told me it was a way to invoke powers. I bought it in Singapore after I left here. Plenty for the faithful to look forward to then, but if Hellraiser teaches us anything, it's that you should be careful what you wish for.FRANK : A puzzle. You can download a free eight-page prelude right hereīarker has been working on The Scarlet Gospels, a meeting of the Hellraiser mythos and his frequent protagonist Harry D'Amour (played by Scott Bakula in Lord of Illusion) for years, and the Drive Angry writer/director team of Patrick Lussier and Todd Farmer are working on a Hellraiser reboot. Oh, and it looks like The Harrowers will be involved. And we also pick up with the life of Kirsty Cotton, protagonist of the first two Hellraiser films (and a key player in Hellseeker, the actually-not-bad sixth). The first issue sees a jaded Pinhead lamenting his cenobite afterlife and looking to make a faustian bargain of his own. Words and pictures by: Clive Barker, Christopher Monfette and Leonardo MancoĪnd so to the new series, turning its back on Marvel's later cartoon capers and returning the franchise to its creator. Taking in the Wild West, the Incas, medieval Europe and a "Climactic Cro-magnon Clash!!!" there's fun to be had here, but we're now a *long *way off-message. In 1993 Pinhead battled Toxic Comic's "costume killer" Marshal Law in the two-issue War in Hell, and received the full Marvel treatment, true believers, in this six-part epic charting a time travelling battle with his mighty foe Aggregate.
0 kommentar(er)
